Wednesday, 28 November 2012

OUGD401: Context of Practice - The History of Type

Aims:

  • Simple introduction into the history of type
  • Introduce six classifications
  • Famous typefaces and their connotations
  • Introduction into the metalinguistic function of typography 
  • Bore everyone to death talking about kerning and x-heights
  • Typography exists at the interception of visual communication and verbal communication
  • Typography = Meta-communication, Paralinguistic's and Kinesis
BE VERY VERY CALM NOW - Use of uppercase and the colour red give the impression the statement is being shouted.

CLASSIFICATIONS 
  • Humanist
  • Old Style
  • Transition
  • Modern
  • Slab Serif (Egyptian)
  • Sans Serif
113AD - The first recognisable letterforms on Trajan's Column - The letterforms we serif as they were chiselled into stone.

1450s - The lat age of print
  • The Gutenberg Press was invented - For the first time individual letterforms could be produced and therefore the printed word was widely available to a mass audience.
  • Knowledge was spread
  • Typography Started
  • Gutenberg Gothic Script, 1450 - Based on Medieval handwriting 
  • Humanist Typefaces - Which were the earliest forms of typography were also inspired by handwriting
  • Early Humanist typefaces such as Jenson have a diagonal axis on the bar of the lowercase 'e'
  • Centaur Font - Based on Jenson
15th Century, Venice

  • Refined Humanist fonts - Oldstyle, axis of bar on lowercase 'e' is horizontal
  • (New) Oldstyle: Palatino, Garamond, Perpetua and Goudy Oldstlyle
  •  Specimen - John Baskerville and Aspecimen by William Caslon - "Ultra thin strokes on Baskerville's Specimen would blind audience"
Modern / Didone Typefaces
  • Bodoni - No attempts to look like handwriting
  • Ultra modern
  • Used in Fashion e.g. Vogue and Grazia magazines - Accepted language
  • Elegant
  • Came from French Revolution 
1800s - Slab Serif / Egyptian
  • Egyptian - Reference to orientalism
  • Brass - For industrialisation 
  • Fatface Typeface - Hyperbold Style

  • I ♥ NY - Slab Serif used by Milton Glaser
  • Modernism - Sans serif is modern, progressive and forward facing
  • Times New Roman by Stanley Morrison - Created in 1932 and was reference to the type on Trajan's Column
  • Cooper Black, 1921 - Used by The Beach Boys, Dad's Army and Easy jet
  • Helvetica - Modernist
Difference between Arial and Helvetica:
  • Helvetica 'G' has a Spur
  • Arial 'G'  does not have a Spur
The Arial Typeface was created by IBM for their computers as they did not want to pay Helvetica royalties and therefore created a their own type face which was similar.

1994 - Post Modern
  • Grunge Typography - Almost illegible and against communication
  • Used by David Carson

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