Creative Advertising
- Key points in the historical narrative presented
- The contexts (historical, political, economic etc.) in which modern advertising emerged internationally
- Lever Brothers Soap Ads
Beginning
- 'advertising, the most fun you can have with your clothes on' (2009)
- Robin Wight (WCRS) 118 118 and the futures bright... advertising campaigns
- William Hesketh Lever
- Lever Bros (1851-1925)
- Founding members : James Darcy and William Hesketh Lever
- Lady Lever Art Gallery, Port Sunlight Liverpool
- Bill Bernbach
- Lever Brothers - First British tycoons
- Gallery and village and soap factory commissioned by Hesketh in Port Sunlight
- Lever Born - 1851
- George Cruikshank (etching) - All the World Going to See the Great Exhibition of 1851
- 1851 - First colour printing on a large scale for publication for the great exhibition
- Advertising an essential
- British Empire - Largest and richest
- Pre Packaging, 1860 - Cereal companies figured out how to print
- Lever was the first to package soap 'I lifted sunlight soap to a class by itself'
- Advertising aided by tax cuts on newspapers
- New of the World, 2012 - ended because advertising pulled out
- Printing Boom, 1890s - technology enabled contemporary paintings to be reproduced
Lever
- Born at height of empire - International trading routes established
- International Exhibition - First world exhibition
- Large scale printing
- First multinational - 1930s : Unilever was the largest multinational company
Sunlight Soap adversing
- Contemporary art in their advertising campaigns with copy e.g. 'So Clean' advertisement which uses 'The New Frock (1889) - White linen and Children are signs.
- Lever would buy the copyright of contemporary art
- Exhibition Tate Liverpool - Alice in Wonderland (November 2011 - January 2012) - Paintings and photography all to do with Alice in Wonderland
- Children were a popular subject - Signified joy, blessings, purity, innocence and life
- Infant mortality rate was high
- George Dunlop
- A dress rehearsal was bought by LeverHulme in 1888 and used for 'As Good As New' advertisement in 1889 to sell soap - emotional strategy, enhanced naturalism
- selected and presented contemporary art works - more powerfully and in an interesting and innovative way.
- Adding simple end lines - Lever changed the meaning of the image to his advantage
Entertainment
- Unilever who produce Axe - A product targeted at young males, aims to give confidence to teenagers
- Axe, Online game and first real time novel - teenagers can join in game, appears to involve the audience
- 'advertising from the moment it was born has aimed to entertain us' - Hegarty
- Prince Harry lynx advert
First creative advertising agencies
- Cracknell (2011) - in late 19th century ad agencies sold space in newspapers, commission / negotiations
- Client created content - changed with publications (US) Rowell American newspaper
First global campaigns
- Medicine, chocolate and soap
First use of product placement
- Wedding Morning (1892) bought by Leverhulme - soap replaced clock and cup, shows brand loyalty
Innovative events
- Lever Brothers, F. H. Lavenchy - Clarke - Washing competition
- Sunlight Soap - Royal endorsement from 1892, democratisation
- Wrapping promos - 1890 Sunlight Soap magazine ad
- One method beloved of advertisers was to capture the essence of children - Give away free gifts
- Target mothers - 'good mothers use Sunlight Soap'
Investing in advertising
- Lever spend 2m in the first decades of making soap
- in 1889 Lever purchased a Philadephia soap firm
Art direction
- Gross suggested Plantol should depict tropical climates and express the care that is exercised in refining oils
- Vision to disguise slavery
- Palm oil is one of the main ingrediants used in soap
First worldwide ECD
- Collaborative Creativity
- Lever Employed international expertise
First Ambient
- Innovative spaces, doors left open and station
- Choosy where he advertised - quality of media
Ad expertise
- Lever ambassed an was among innovators of advertising expertise
- Salvation in sunlight - Early ads emphasised that Sunlight Soap would save women from drudgery
- Copy in Sunlight Soap - Working class housewives, giving time for romance
World domination
- Different international agencies
- Domestic and Imperial markets Britishness suited all
- Royal, national and imperial imagery
- Context of thousands of ads
Imperial Mission
- To Civilise
- No commodity aided more than soap
- Wash and Clothe the native and cleanse the 'great unwashed'
- Empire celebrated
Levers Achievement
- Not only wanted but needed the product
- Victorians conquered the world
Psychology of advertising
- Discrepancy between self and ideal image of self
- Publics leisure practicing
- First Soap Opera - Continuing Dramas
Unileverseries
- Sponsor annual contemporary artist
- Would exhibit in Turbine Hall, Tate Modern
Critics of ad mass
- Boom in consumption
- Highly criticised in inter-war years
- Left wing critics appalled by produced of capitalism and mechanisation
- Haussmann, Mechanical Head
Ad mass advocates
- Ecomic liberals
- Celebrated agency of the consuming individual
- 'Advertising creates more jobs' Hegarty
Summary
- Starts with Wright, So Clean, Sunlight vision and Alice in Wonderland
- Histotrical, political, comic and technological contexts - Level's pioneering advertising to emerge
- Colour printing
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